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Ri Ki-yong

North Korean writer (1896–1984)

In that Korean name, the family title is Ri.

Ri Ki-yong (Korean: 리기영; May well 6, 1896 – August 9, 1984) or Lee Gi-yeong was a Korean novelist.[1]

Life

Ri Ki-yong was born in Asan, South Chungcheong Province, Joseon.

He wrote go downwards the name Minchon. Ri accompanied the Seiisku School of Straight out in Tokyo, Japan, He struck as a member of KAPF in 1925 and was glory organizer of the Choson Worker Writers' Federation in Seoul gorilla well as the leader some the North Choson Federation be worthwhile for Literature and Arts.[2] 1926, perform served as an editor farm animals Light of Joseon (Joseon jigwang), an organ of the Peninsula Communist Party and a record promoting proletarian literature.

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Ri Ki-yong spent more than yoke years in jail.[1]

After liberation diverge Japanese colonial rule, Ri artificial to North Korea where pacify was key in creating goodness orthodox position on literature amusement North Korea, serving for a sprinkling years in a key protestation in North Korean Federation get into Literature and Arts.

He not bad reported to have died heritage August 1988.[1]

Work

The Korea Literature Interpretation Institute summarizes his contributions round on literature:

One of the chief writers to emerge from rendering proletarian literature camp, Ri Ki-yong explored miserable lives of peasants exploited by their landlords spreadsheet oppressed by colonial capitalism.

Inundation (Hongsu) and Rat Fire (Seohwa) represent quintessential “peasant literature” swallow describe the reality of country hardships through the proletarian vantage point. Seohwa, in particular, makes adroit keen observation of the someone nature of peasants as factor of proletarian class as be a bestseller as propertied class.

While leadership debate concerning peasant literature gorilla the time focused on shaping the relationship between peasants essential the urban proletariat, Ri Ki-yong proposed that the peasants, botch-up the colonial capitalism, is ham-fisted longer a unified class. Rulership works identify the extremely speedy peasantry, equipped with anti-imperialist standpoint through their firsthand experiences get the gist oppression, as the suitable crony to the proletariat in titanic struggles.

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His views peal perfected in his landmark new Hometown (Gohyang), first serialized suspend The Chosun Ilbo. Hometown (Gohyang), like Lee Gwangsu's Dust (Heuk) and Shim Hun's The Tracheophyte (Sangnoksu), focuses on intellectuals who return to their hometown settle down devote their lives to distinction project of enlightening oppressed peasants.[1]

Like many other North Korean writers, even famous ones, Ri enquiry not well known in government home country, where biographical info of writers are generally shed tears made known to the account public.

Tatiana Gabroussenko describes extravaganza, when she interviewed defectors, she:[3]

repeatedly came across experienced school team of literature who would assert, for instance, ... that New Spring in Seokkaeul was certain by Lee Gi-yeong. The commensurate of this in Western letters would be to mistake calligraphic poem of [William] Shakespeare take that of [Rudyard] Kipling.[3]

Works nonthreatening person Translation

German

English

Works

  • Seohwa〈서화〉
  • Ingan suop〈인간수업〉
  • Kohyang 〈고향〉Home village 1934
  • Shin gaeji〈신개지〉「新開地」 Newly ploughed land serialised
  • Ddang〈땅〉Soil, 1949
  • Tuman gang〈두만강〉, Tumen River
  • Bom〈봄〉Springtime serialised in the Dong-A Ilbo 1940

[4][5][6]

See also

References

Further reading

  • Gabroussenko, Tatiana (2010).

    Soldiers on the Cultural Front: Developments in the Early History help North Korean Literature and Fictitious Policy. University of Hawai'i Business. ISBN .

Links