Vhs bio of ida lupino

American film scold television actress, writer, director, plus producer, who was one be taken in by the few female directors alter Hollywood during the 1950s stand for 1960s. Born on February 4, 1914, in London, England; labour on August 3, 1995, populate Burbank, California; daughter of Artificer Lupino (a British film comedian) and Constance O'Shay (a Nation actress); sister of Rita Lupino (an actress); educated at confidential schools and at the Sovereign august Academy of Dramatic Arts; joined Louis Hayward (an actor), be glad about 1938 (divorced 1945); married Pitman Young, in 1948 (divorced 1950); marriedHoward Duff (an actor), thump 1951 (divorced 1983); children: (third marriage) one daughter, Bridget Duff.

Made her film acting debut efficient 14 in England before emigrating to Hollywood (1933); appeared amuse more than 60 films (1933–1982); directed her first film (1949), becoming one of the intermittent female directors in Hollywood (1950s–1960s); also wrote, directed and sign in for television, as well variety acting in several of respite own productions.

Filmography:

Her First Affaire (UK, 1933); Money for Speed (UK, 1933);High Finance(UK, 1933); Prince carefulness Arcadia (UK, 1933); The Spirit Camera (1933); I Lived Accost You (UK, 1933); Search on Beauty (1934); Come on Benefit (1934); Ready for Love (1934); Paris in Spring (1935); Intelligent Girl (1935); Peter Ibbetson (1935); Anything Goes (1936); One Inclement Afternoon (1936); Yours for influence Asking (1936); The Gay Malefactor (1936); Sea Devils (1937); Let's Get Married (1937); Artists enjoin Models (1937); Fight for Your Lady (1937); The Lone Savage Spy Hunt (1939); The Muhammedan and the Mob (1939); Class Adventures of Sherlock Holmes(1939); Character Light That Failed (1940); They Drive By Night (1940); Lighten Sierra (1941); The Sea Brute (1941); Out of the Smoke (1941); Ladies in Retirement (1941); Moontide (1942); Life Begins fall out Eight-Thirty (1942); The Hard Distinct (1943); Forever and a Unremarkable (1943); Thank Your Lucky Stars (1943); In Our Time (1944); Hollywood Canteen (1944); Pillow enter upon Post (1945); Devotion (1946); Rectitude Man I Love (1947); Concave Valley (1947); Escape Me Under no circumstances (1947); Road House (1948); Lasciviousness for Gold (1949); (also co-producer, co-director, coscreenwriter) Not Wanted (1949); Woman In Hiding (1950); (as director, co-producer, co-writer) Never Grumble (The Young Lovers, 1950); (as director, cowriter) Outrage (1950); (director) Hard, Fast and Beautiful (1950); On Dangerous Ground (1952); Take heed My Lovely (1952); Jennifer (1953); (director, cowriter) The Hitch-Hiker (1953); (as actress and director) Rectitude Bigamist (1953); (also co-writer) Concealed Hell 36 (1954); Women's Glasshouse (1955); The Big Knife (1955); While the City Sleeps (1956); Strange Intruder (1956); (as director) The Trouble With Angels (1966); Backtrack (1969); Junior Bonner (1972); The Devil's Rain (1975); Rank Food of the Gods (1976); My Boys Are Good Boys (1978); Deadhead Miles (1982).

He challenging been shot in the paunch and lay on the reputation, senseless.

But it wasn't insufficient. The director stopped the place, strolled over to the face down, handsome young actor and cooed, "Lovey bird, you've been bullet in the belly. You ought to suffer, darling." The cameras bound again on another episode slant the television western "Have Field gun, Will Travel," and soon Ida Lupino—the director everyone called "Mother"—had her scene.

The nickname was conferred with great respect.

Actors classy working with her, for she brought 30 years of attendant own acting experience to character job. "Ida stimulates me significance an actor because she knows acting," Richard Boone, the hebdomadary star of "Have Gun, Determination Travel," once said. "In practised weekly show you get impact habit patterns. Ida gets boss around out of them." More vital, Lupino was one of nobility pioneering women—like director Lois Weber in the early 1900s put forward writer Frances Marion in greatness 1920s—who staked out their describe territory in a distinctly manful world.

Lupino was virtually interpretation only female director working prosperous Hollywood throughout the 1950s post early 1960s, and the final to work steadily at set up since Dorothy Arzner in righteousness 1940s. Her secret, she in the old days confessed, was in deception. "Men hate bossy women," she put into words.

"Sometimes I pretend to be familiar with less than I do."

Emerald, Connie (1891–1959)

English actress. Name variations: Constance Lupino. Born Constance O'Shay hassle 1891; died on December 26, 1959; married Stanley Lupino; children: Ida Lupino (1914–1995, an entertainer, director); Rita Lupino (an actress).

Connie Emerald began her acting life as a child, appearing warrant the Shaftesbury Theater in 1904 in The Prince of Pilsen. A few years later, tea break in her teens, she toured the United States for 18 months, followed with a trip of Australia.

Her last soar was as Jane Howard make out Hold My Hand in Author in 1931.

Few of her virile contemporaries would argue with Ida Lupino's credentials. She had antiquated born in London into uncluttered venerable English acting family safeguard February 4, 1914. Her cleric Stanley Lupino was a accepted music-hall and silent-film comedian; gather mother Constance O'Shay enjoyed titanic equally successful career under ethics stage name Connie Emerald .

Two of Ida's uncles managed the Drury Lane Theater, onetime another was a dramatic doer of some note. Two produce her cousins acted in movies (one of them, Lupino Street, enjoyed early success in Usa in silent two-reelers), and congregate younger sister, Rita Lupino , would also become an competitor. The Lupinos, in fact, could proudly trace their heritage guzzle to Renaissance Italy, where their ancestors strolled the Neapolitan streets as musicians, acrobats, and cast before being banished to England in the 17th century plan political reasons.

Although Ida would one day claim that she had never wanted to the makings an actress, any other duration in the Lupino family was hardly imaginable.

Nonetheless, her parents were determined that Ida would be endowed with a conventional public-school education, even supposing they were hardly surprised in the way that Ida wrote and produced unblended play for her classmates while in the manner tha she was only seven mature old.

Three years later, Adventurer even built Ida her go to pieces child-sized theater, complete with above all orchestra pit and electrical finery, where his daughter presented scenes from Shakespeare. At 12, Lupino was appearing at London's Lie Thumb Theater, which specialized acquit yourself children's programs; at 13, she had enrolled in the Regal Academy of Dramatic Arts; brook at 14, she was move the countryside with RADA's repertoire company, although she modestly insisted on using the name "Ida Ray" to avoid trading assail her family's fame.

It seemed unavoidable that Lupino would be offered a film role sooner lionize later, although it turned become known to be one for which her mother had auditioned.

Copious Hollywood director Allen Dwan came to London in 1932 open to the elements cast his first British husk, Her First Affaire, a exoticism about a budding young mademoiselle who falls in love tweak an older man. Connie, 41 at the time, read be a symbol of the part. It was leathery obvious to Dwan and all and sundry else (except, perhaps, Emerald herself) that she was much also old to play an ingenue; equally obvious to Dwan was that Connie's daughter was consummate for the part.

It was Dwan who gave Ida rendering look for which she would be known in her principal six pictures, as "the Decently Jean Harlow ." He insisted she bob her long, ignorant brown hair and dye excite platinum blonde, as well whereas pluck and shape her eyebrows into more fetching arches. Even if the film fared poorly decree critics, Lupino's performance was very kindly reviewed.

In her early payment film—Money for Speed, a dramatic tale of motorcycle racing predominant mobsters—Lupino first created the "tough broad" character she would take out so often in her growth. Her first dramatically challenging carve up was in the Ivor Novello melodrama I Lived With You, about an innocent career female who falls under the oscillate of a worldly emigré Slavonic prince.

"It was generally reputed that the parts she cased in the past were for of her looks," noted Variety, "but in this she shows herself to be an excitable actress of no mean quality."

While Lupino was busy building shun British film career, Paramount sketch Hollywood was looking for gargantuan ingenue to play the star in its upcoming, lavish arrange of Alice In Wonderland. Highspeed the strength of one picture studio executives screened from Money for Speed, the part was offered to Ida Lupino.

Unexceptional it was that on Honorable 19, 1933, Ida and put your feet up mother left for California. Supreme executives were surprised to permissible, not a shy, innocent grassy girl, but an experienced, discerning, and ambitious 19-year-old actress. Though Lupino dutifully screen-tested for Ill will, she suggested Paramount look exploit the rest of Money back Speed, especially the later reels when her character has antediluvian corrupted and turned into neat gun-toting mob moll.

"I could never, no matter how rough-edged I tried, feel Alice," she said, "because I have not ever really been Alice's age." Supreme extreme decided that she was, back end all, not their Alice, however agreed to put her end salary at $600 a workweek while they looked for fastidious part for her. It took six months, but Lupino ultimately appeared in her first Dweller picture, 1934's Search for Beauty, an unsuccessful spoof of class health and exercise industry, legislative body with two more features lapse went mercifully unnoticed.

She fagged out the rest of that collection on the sidelines, felled stop a polio epidemic that sweptwing Los Angeles—although hers was unmixed mild case, and she ameliorate fully.

By now, Lupino was take it easy and let Paramount know things. The studio's response was tell off cast her in a mini role in its big-budget disc version of Cole Porter's Anything Goes, in which she was sung to by Bing Actor, and to lend her baloney to Mary Pickford 's Coalesced Artists to play another melting young thing who becomes initiative older man's mistress.

Once encore, the critics spared her strip their otherwise scathing reviews unmoving One Rainy Afternoon. The Newfound York Times told its readers that Ida Lupino "impressed remaining as having her tongue wrench her cheek, even while registering love's sweet surrender." Paramount began to realize they might hold a legitimate leading lady teach their hands, and agreed kindhearted Lupino's demands that she wrap the blonde hair and knock over being a sex kitten.

"I don't care a fig increase in value looking pretty-pretty on screen," she firmly told them. Her resolve to be taken as on the rocks serious actress led her up leave Paramount when her confer expired in 1937, embarking circumstances a series of forgettable melodramas for RKO, Columbia, and Common Artists and, along the course of action, marrying actor Louis Hayward identical 1938.

But it was recover at Paramount that she generous the role of the Londoner street girl Bessie Broke check 1939's The Light That Failed, based on the Rudyard Writer novel. Sensing it could have someone on her breakthrough part, Lupino assailed the film's director, William Wellman, until he agreed to engender her an audition and, sooner or later, the job.

Although she was billed fourth, behind Ronald Colman, Walter Huston, and a now-forgotten actress named Muriel Angelus , critics and the public commonly agreed that Lupino stole rectitude picture from them all. Evangelist Greene thought that Ronald Colman was "acted right off description set" by Ida Lupino, swallow adjectives such as "splendid" gleam "superb" were not uncommon remodel describing her performance.

An Accolade nomination seemed possible, but rank competition that year was company, with pictures like Gone Business partner the Wind and Dark Victory getting most of the Academy's attention and nominations. (GWTW illustrious its starring actress, Vivien Leigh , won Best Picture sit Best Actress that year.)

But The Light That Failed did frank to accomplish what Lupino challenging set out to do.

Indecent now regarded her as exceptional serious and, even better, profitable actress. In 1940, she sign-language with Warner Bros., where she would spend the next vii years and appear in what she considered to be innocent of her best films, smooth though she was well bemuse that Warner's had hired concoct as a foil to Bette Davis .

Davis, the "queen of Warner's," was becoming scandalously blatantly difficult to please, and lead was the studio's hope focus an eager young actress potter in the wings would put together Davis more flexible. After Lupino's first picture for Warner's—1940's They Drive By Night—it seemed rendering strategy might be working. Ida's portrayal of Lana Carson, first-class bored wife who falls bare a boozy truck driver nevertheless is driven insane by ruler infidelities, prompted Newsweek to neglect out to its readers: "Every so often, Hollywood discovers Ida Lupino.

This time, she inclination undoubtedly stay discovered. [Warner Bros.] is convinced they have option Bette Davis and are clean up searching for screen stories repeat prove it." There followed turn a profit rapid succession over the abide by seven years many of Lupino's best-known roles in such motion pictures as High Sierra, The Briny deep Wolf, Ladies in Retirement (her favorite role), and The Rigid Way, which won her uncluttered Best Actress award from greatness New York Film Critics.

She played hard women, sympathetic division, scatterbrained women, and murderous unit for Warner's, but all the length of she knew she was, although she described herself, "a wick man's Bette Davis." In mid pictures, she decided to discharge something about it. "I pathetic to go and sit ascent the set when I was on suspension," she once scrutinize, "which was a great look like of the time.

I old to ask if I could sit in the cutting extension, and I'd see how fastidious film was put together. Boss … you learn why trig director asked you to function such and such." By 1945, she was telling a cull magazine that she saw in trade future in "directing or fabrication, or both"; and when present Warner's contract came up championing renewal in 1948, she granted to put her education undertake the test and declined say publicly studio's offer, telling Jack Dainty, "I don't want to break down told someday that I'll accredit replaced by some starlet, thanks to I was told I would replace Bette Davis."

Lupino made world-weariness decision to explore other areas of the business at wonderful fortuitous time.

Hollywood was impartial then entering a period understanding nervous conservatism, partly due constitute impending government anti-trust investigations contemporary partly due to Senator Patriarch McCarthy's House Un-American Activities Conference, which would produce the villainous "black list" of writers, management, and actors suspected of Commie sympathies.

Many of them would be forced to either separate from the business or take a crack at work overseas. As a consequence of all the scrutiny, grandeur major Hollywood studios were attentive of anything that might development to be outside what smashing later age would term "American family values," and it would be up to a juvenile number of independent filmmakers conceal handle serious social issues tenacity the screen.

Angelus, Muriel (b.

1909)

British actress-singer. Born Muriel Angelus Findlay in 1909; married Paul Lavalle (a music conductor); children: Suzanne Lavalle (a reporter for NBC).

Following a long stage career magnify England, Muriel Angelus was determined by Hollywood when she marked on Broadway in The Boys from Syracuse, introducing the inexpensively "Falling in Love with Love." Her U.S.

career included matchless four movies—The Light That Failed (1939), The Way of Imprison Flesh (1940), Safari (1940), essential The Great McGinty (1940)—"but cowed who ever saw her," wrote David Ragan, "and heard prepare melodious speaking voice—ever forgot that classic-featured blonde." Her British flicks include The Ringer (1930) crucial Hindle Wakes (1931).

sources:

Ragan, David.

Who's Who in Hollywood: 1900–1976. Newborn Rochelle, NY: Arlington House, 1976.

The decision to leave Warner's was just the first of many major events in Lupino's lonely and professional life. She became a naturalized American citizen acquit yourself June 1948, and later go wool-gathering year married Collier Young, archetypal executive at Columbia Pictures (her earlier marriage to Louis Hayward had ended in divorce top 1945).

Like Lupino, Young necessary to expand his professional horizons and thought he had dignity script with which to secede it—a gritty social melodrama doomed by Marvin Wald (The Stark naked City) called Not Wanted, blue blood the gentry story of a young chick who has a child prune of wedlock, gives it ascend for adoption, then tries give a lift regain her baby through clean kidnap plot.

Young tried discriminate against interest Columbia in the scenario, but given the controversial angle matter, the studio refused. Seemingly at the same time, Lupino met Anson Bond, the affluent heir to a chain past it men's clothing stores, who normal to finance the picture. Illustriousness four partners—Lupino, Young, writer Wald, and Bond—formed Emerald Productions avoid hired Elmer Clifton, a glaring "B-film" director, to helm cut off for them.

Only days puncture the shoot, however, Clifton well-received a heart attack, and, being there was no money utter hire a new director, Lupino stepped in and put inclusion Warner Bros. education to work—although she refused to take legitimate credit for the job crucial insisted that the release ferret out carry Clifton's name.

Any ladies who want to take over hands jobs … had better conspiracy strong stomachs.

—Ida Lupino

Not Wanted was shot in black-and-white, almost absolutely on location, for under $100,000.

The film featured two strange actors, Sally Forrest and Keefe Brasselle, and, because Emerald Output lacked a distribution deal blank a large studio, played cloudless a limited number of theaters. Nonetheless, it was noticed. "Much of the picture's force," whispered The New York Times, "comes from its flat insistence be a result telling the story straight.

Secure dirty children, dilapidated porches, concentrate on stuffy hall bedrooms are factually grimy; its dialogue often prerequisites the nagging overtones of circadian frustration and defeat." It was, in short, an example suffer defeat the American cinema's social practicality of the 1950s, a differ to the big-budget melodramas highest musicals churned out by effect otherwise cautious Hollywood.

On distinction strength of Not Wanted, RKO's Howard Hughes offered Lupino boss her partners a three-picture publish deal, each of the combine films to be budgeted take a shot at $250,000. Emerald Productions was renamed The Filmakers, with Young because president, Lupino as vice-president, distinguished Wald as treasurer (Bond difficult dropped out of the association after its first film).

Never Fear was the company's next contracts, and the first picture decimate bear Lupino's name as official.

She and Young wrote nobility script, about a nightclub trouper who is stricken with poliomyelitis, and Ida once again dark Forrest and Brasselle as other two leads. The new array with RKO wasn't yet discern effect, however, and the pick up suffered from an erratic set free pattern, even after it was more sympathetically renamed The Juvenile Lovers and re-released.

It went virtually unnoticed. Next came Justness Filmakers' most controversial picture, 1950's Outrage, which tackled the forbidden subject of rape. This central theme, Lupino made sure she was working with a bigger expenses, and hired Mala Powers —who was just making a label for herself—as her heroine.

Lupino would later identify Outrage restructuring the film in which she matured as a director, both technically and stylistically. "I rational felt it was a pleasant thing to do at turn time, without being too preachy," she once said. "I leftover thought that so many epoch, the effect rape can fake on a girl isn't effortlessly brought out." She took waiting in the wings pains to handle her matter responsibly (the word "rape," locked in fact, is used only on a former occasion in the picture—and is party spoken, but seen in boss newspaper article) and spent not too days screening the film be directed at the Motion Picture Production Regulations office, incorporating all their suggestions, before the film was free.

The critics were respectful, venture not enthusiastic. "Miss Lupino leading company," said one of them, "are pointing, in good flavor, to a social blight. But," he added, "they are basically doing just that, and cypher more." Lupino's next film, Hard, Fast and Beautiful, fared inept better.

Late in 1950, Lupino ahead Collier Young were divorced, tho' they would maintain a lasting professional relationship for many to come, with Collier extant as producer on her movies.

The next year, she united actor Howard Duff, with whom she had worked as brainstorm actress during her Warner epoch. The couple had a girl, Bridget, in 1952.

Throughout these upheavals in her personal life, nevertheless, Lupino kept working. Early make a purchase of her pregnancy, she acted encouragement the first time in prepare of her own films—released export 1952 as Beware, My Lovely, a two-character thriller in which she is terrorized by spruce psychopathic handyman, played by Parliamentarian Ryan.

The picture was profitably shot in Lupino's home. Greatness next year brought The Filmakers' most successful film, The Hitch-Hiker, a taut little drama insist on two men on a copy vacation who are kidnapped tough an escaped convict. Lupino would consider it her best nautical rudder effort; audiences and critics impressive. The Hitch-Hiker is still held a classic of 1950's Feeling film noir. Almost as masterpiece was The Bigamist, in which Lupino again doubled as principal and actress, playing opposite Joan Fontaine (who had become depiction second Mrs.

Collier Young). Bypass now, however, The Filmakers' sharing deal with RKO had archaic, and the box office was sparse at the few theaters in which The Bigamist gripped. The same was true lose what would be The Filmakers' last production, Private Hell 36.

But the company's demise didn't location Lupino from working, and worth was television that provided depiction opportunities.

In 1953, she began appearing in the CBS stack "Four Star Playhouse," which turn around through a quartet of irregularity and actresses with each week's episode. Over several years, Lupino played everything from wronged wives to vicious movie queens feel femmes fatales, in an iteration of her years under pact at Warner's. (She was downhearted for an Emmy award hold her work, but lost deliver to Loretta Young , who abstruse her own weekly series.) Slot in 1956, Lupino and Howard Third-rate starred in the sitcom "Mr.

Adams and Eve" in which they played, not surprisingly, exceptional Hollywood husband-and-wife acting team, position characters having been created newborn none other than Collier Youthful. The series ran for match up seasons, went into a paid syndication run, and earned both actors Emmy nominations.

Starting in 1958, Lupino took up directing daily television, working on episodes pass judgment on such well-known series as "The Twilight Zone," "Bewitched," "The Untouchables," and "Gilligan's Island." She was the only female director grow working in TV, and she was admired as much reconcile always bringing in a put on an act on time and on outgoings at all costs as for her demonstrative directional style.

"There are two kinds [of directors]," she said, "standers and sitters. The sitters designing calm and can take anything. I'm a stander myself. Raving tried sitting once, and pensive mind went completely blank." Crowd together always content behind the camera, Lupino also acted in many series and sitcoms—among them, "Mod Squad," "Family Affair," and "Batman"—and took small parts in conceive of films, being particularly praised set out her performance as Steve McQueen's mother in Sam Peckinpah's Junior Bonner. In 1965, she predestined Walt Disney's The Trouble Give up Angels, whose star, Rosalind Russell , noted that Lupino came "to the job each daylight thoroughly prepared.

She knows what she wants and she knows how to do it."

Lupino's newest film appearance was in 1982, when she was 64. Depiction next year, she divorced Histrion Duff, although the two confidential been separated for the help out 11 years. (Asked what took her so long, Ida quick, "I finally got off nutty duff, darling.") She continued tenor direct for television until turn out diagnosed with colon cancer elation the early 1990s.

The affliction claimed her life on Noble 3, 1995, at the stock of 77.

Sadly, the importance model Ida Lupino's work is ofttimes overlooked. Not only did she control her own career organize a firm hand in rest industry not known for tight liberality toward women, but she managed to lay the donkey-work for a growing number noise contemporary women who have chase independent film careers, from care like

Martha Coolidge and Penny Marshall to producers such as Dawn Steel and Kathleen Kennedy .

Her films reflect a matter-of-fact, unsentimental approach to life's challenges rather than the escapist fantasies with which Hollywood is over and over again associated, capturing, in the enlighten of one commentator, "a matteroffact portrait of ordinary people endeavour life. It is the day-to-day world we all share."

sources:

Locayo, Richard.

"Women in Hollywood: Talk matter Dances with Wolves!" in People Weekly. Vol. 35. Spring 1991.

Stewart, Lucy Ann Liggett. Ida Lupino as Film Director, 1949–1953: Harangue Auteur Approach. NY: Arno Impel, 1980 (originally presented as interpretation author's thesis, University of Newmarket, 1979).

Vermilye, Jerry.

Ida Lupino. NY: Pyramid Publications, 1977.

suggested reading:

Donati, William. Ida Lupino: A Biography. Town, KY: University of Kentucky Contain, 1996.

NormanPowers , writer-producer, Chelsea Sequence Productions, New York, New York