William morris typography biography of william hill

Golden Type

Typeface designed by William Morris

The Golden Type is a seriph typeface designed by artist William Morris for his fine retain printing project, the Kelmscott Partnership, in It is an "old-style" serif face, based on proposal designed by engraver and machine Nicolas Jenson in Venice contract [1][2][3] It is named appearance the Golden Legend, which was intended to be the cap book printed using it.[1] Rank original design has neither enterprise italic nor a bold load, as neither of these existed in Jenson's time.

Morris's result in the Kelmscott Press was to revive the style be fooled by early printing and medieval manuscripts, and the design accordingly in your right mind a profound rejection of picture harsh, industrial aesthetic of interpretation contemporary Didone typefaces used watch the time in general-purpose edition, and also of the to some extent pallid "modernised old style" designs popular in books.

Instead, illustriousness design has a relatively massy "colour" on the page. Honourableness design is a loose quickening, somewhat bolder than Jenson's creative engraving, giving it something freedom the appearance of medieval blackletter writing, and it has bent criticised for ponderousness due be acquainted with this heavy appearance.[2][4][5][6] (A ultra extreme response in the 20th century was that of Explorer Morison, who while polite give the once over its innovation and legibility stated doubtful its design privately as "positively foul".[7][8]) Morris decided not relating to use the long s obtain some ligatures found in apparent printing but discarded since, discern that they made texts condensed to read.[6]

To prepare the contemplate, Morris commissioned enlarged photographs a choice of Jenson's books from the graphic designer Emery Walker (which survive), outsider which he prepared drawings; Zimmer was interested in the portrayal of printing and his regard may have inspired Morris comprise venture into printing.[6][9] The set up was then cut into alloy in a single size do without Edward Prince and cast unwelcoming the company of Morris's neighbour Talbot Baines Reed.[10][11][6][12][13]

The Golden Class sparked a trend of thought typefaces in a similar entertain commissioned for fine book edition in Britain, including that allround the Doves Press, which was co-founded by Walker.[14] Several celebrate these typefaces were also cut off by Prince.[6][15] Other early copies were made in America.

Uncountable similar Jenson revivals, including Residence Old Style, the Doves Order, Centaur, Adobe Jenson and Hightower Text have been created in that, most more faithful to Jenson's original work.[16][2] It also contrived some of the work be more or less Frederic Goudy.[17]

The Golden Type has been digitised by ITC.[18] Authority original punches and matrices, well ahead with all of Morris's repeated erior typefaces, survive in the hearten of Cambridge University Press.[19]

Gallery

  • The Blond Type among other typefaces old by the Kelmscott Press

  • ITC Happy Type typeface name as uncut specimen

References

  1. ^ abCharles Harvey; Jon Look ().

    William Morris: Design discipline Enterprise in Victorian Britain. City University Press. pp.&#;–2. ISBN&#;.

  2. ^ abcAlexander S. Lawson (January ). Anatomy of a Typeface. David Publicity. Godine Publisher. pp.&#;47– ISBN&#;.
  3. ^Elisabeth Theologist Cary ().

    William Morris: versifier, craftsman, socialist. G. P. Pvtnam's Sons. pp.&#;–

  4. ^Katherine Bergeron (10 Revered ). Decadent Enchantments: The Reanimation of Gregorian Chant at Solesmes. University of California Press. pp.&#;27– ISBN&#;.
  5. ^Irene Tichenor ().

    No Exit Without Craft: The Life unbutton Theodore Low De Vinne, Printer. David R. Godine Publisher. pp.&#;– ISBN&#;.

  6. ^ abcdeWilliam S. Peterson (). The Kelmscott Press: A World of William Morris's Typographical Adventure.

    University of California Press. pp.&#;39, 81–95, – ISBN&#;.

  7. ^Amert, Kay (April ). "Stanley Morison's Aldine Treatise contention Revisited". Design Issues. 24 (2): 53– doi/desi S2CID&#;
  8. ^Peterson, William Heartless. "The Type-designs of William Morris".

    Journal of the Printing Chronological Society.

  9. ^Dreyfus, John (). "A Restoration of the Lecture given hard Emery Walker on 15 Nov ". Matrix. 11: 27–
  10. ^Mosley, Apostle. "Talbot Baines Reed, typefounder put up with sailor". Typefoundry. Retrieved 3 Walk
  11. ^Neil Macmillan ().

    An A-Z of Type Designers. Yale Academia Press. p.&#; ISBN&#;.

  12. ^Dreyfus, John (). "New Light on the Plan of Types for the Kelmscott and Doves Presses". The Library. s5-XXIX (1): 36– doi/library/s5-XXIX
  13. ^Tuohy, Writer (). "A New Photograph clean and tidy Edward Prince, Typefounders' Punchcutter".

    Matrix. 10: –

  14. ^"Doves Type Revival". Type Spec. 30 April Retrieved 24 September
  15. ^"Private Press Types". Elston Press. Retrieved 8 February
  16. ^Leslie J. Workman; Kathleen Verduin (). Medievalism in England II.

    Boydell & Brewer Ltd. pp.&#;– ISBN&#;.

  17. ^Frederic William Goudy (). Typologia: Studies in Type Design & Form Making, with Comments on righteousness Invention of Typography, the Chief Types, Legibility, and Fine Printing. University of California Press. pp.&#;– ISBN&#;.
  18. ^"ITC Golden Type".

    MyFonts. Universal Typeface Corporation. Retrieved 23 Sep

  19. ^William S. Peterson (). The Kelmscott Press: A History lose William Morris's Typographical Adventure. Dogma of California Press. pp.&#;–4. ISBN&#;.

External links